17th-century Painting Technique

Recently, I found myself under the guidance of seasoned conservator Herman van Putten in a workshop centered around reconstructing Ferdinand Bol's masterpiece, "Elisha refusing the gifts of Naaman" (1661). Having been restored by Herman himself, this painting became not just a subject for exploration but a canvas for unraveling the hidden techniques and materials employed by Bol.

Ferdinand Bol (1616 – 1680), Elisha refusing the gifts of Naaman, 1661, oil on canvas, 151 x 249 cm, Amsterdam Museum, Amsterdam.

In this hands-on experience, my fellow UvA students and I aimed to replicate the volumes and 3D effects intricately woven into Bol's original work, familiarizing ourselves with 17th-century painting techniques. The workshop seamlessly merged restoration with experimentation, providing a unique perspective on Bol's craftsmanship. Our goal extended beyond the mere recreation of a painting; we were contributors to a deeper understanding of Bol's artistic approach and the current condition of the artwork.

The reconstruction started with an enlightening excursion to Rembrandthuis so that we could observe the subject face to face. Engaging with Leonore van Vloten, the museum director, set the tone for days of meticulous experimentation in Ateliergebouw. Herman’s guidance became invaluable as we explored various paint compositions, placing Bol's distinctive technique under microscopic scrutiny.

In the condensed timeframe of the workshop, art, history, and craftsmanship converged. Herman's expertise, coupled with our hands-on efforts, not only brought back to life a historic masterpiece but also added to the ongoing narrative of artistic evolution. The workshop was a vibrant blend of preservation and exploration in the captivating realm of cultural heritage, and I was fortunate to be a part of this immersive experience.

Progress summary of the reconstruction.